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Opera for All: How Diversity Can Make the Classics Sing

Opera for All: How Diversity Can Make the Classics Sing

I love opera! Maybe it’s because I grew up surrounded by music and singing, so I had to learn to appreciate it early on. Every voice teacher I had insisted on making me sing Italian art songs and operatic arias. At the time, I hated it—I wanted to be belting out Christina Aguilera hits, not songs in languages I couldn’t even understand. But thank goodness for those teachers because, over time, I learned just how magnificent it really is. I’ve always wished it could become more accessible to everyone, and one way to make that happen is by adding more diversity to the cast.

When opera embraces diversity, it breathes new life into age-old stories, making them more relatable and impactful for a wider audience. Plus, let’s be honest—seeing a cast that mirrors the multicultural world around us makes the whole experience more authentic and powerful. Diverse voices, stories, and perspectives don’t just make it better; they truly celebrate what it means to be human. So, whether on the stage or in the audience, diversity in opera isn’t just important—it’s essential.

By inviting singers from around the world, the non-profit Opera for Peace hopes to develop greater diversity among performers of opera, and to inspire the next generation of opera audiences. Correspondent Seth Doane talks with African American singer Hannah Jeané Jones, who traveled to Rome to participate in the program; and with soprano Forooz Razavi, who sang with an R&B group in Iran before she fell in love with opera.

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