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U2 All the Songs by Dionen Clauteaux [Book Review]

U2 All the Songs by Dionen Clauteaux [Book Review]

Rating: 4.25 out of 5 stars

There are casual U2 fans, devoted U2 fans, and then there are the people who have wondered what was happening in the studio when the band recorded some forgotten B-side in 1983. This book is particularly for that third group.

U2 All the Songs: The Story Behind Every Track is a massive, beautifully designed walk through the band’s entire recording career. And when I say entire, I mean it. Album tracks, singles, B-sides, compilation appearances, covers, songs you haven’t thought about since the last time you reorganized a box of old CDs. It’s all here, and it’s exhaustive in the best possible way.

Dionen Clauteaux takes a chronological approach, starting with U2’s earliest days in Ireland and working through five decades of albums, reinventions, and increasingly ambitious live shows. Each entry gets into how a song was written, recorded, and shaped.

U2’s songs rarely started with someone walking into a room with a finished composition already in their head. These tracks got built through arguments, hard work, and a willingness to follow a strange idea just to see where it went.

It’s also good at tracing how the band’s sound shifted alongside the world around it, from post-punk to arena rock to electronic experimentation to full-blown pop spectacle. Recording styles evolve, production shifts, and U2 reacts, adapts, resists, and occasionally overthinks.

You could sit down and read this cover to cover, but I wouldn’t recommend it. This isn’t a traditional band biography, and it works best when treated less like a novel and more like an invitation to go back and actually listen. I moved through roughly one album every time I cracked the book open; reading the stories behind the tracks while playing them turned out to be one of the more fun ways I’ve experienced a music book.

I wouldn’t hand this to someone who only knows “With or Without You” from that episode of Friends. It’s too detailed for that. But for actual U2 fans, the detail is the whole point. Clauteaux has put together something that’s celebratory without turning the music into a dry academic exercise.

It’s also just a gorgeous object. The size, the photography, the layout — it’s a proper coffee-table book, though leaving it untouched would honestly be a waste. This is meant to be opened again and again, flipped through, kept nearby for whenever the urge to dig into an old album hits. And it will.

U2 All the Songs is fascinating and comprehensive. It captures how much U2 kept changing over five decades — constantly experimenting with sound and identity, and staying creatively relevant without repeating themselves.

Don’t race through it. Pick an album, hit play, and read along. You might rediscover an old favorite, learn why a song never clicked for you, or end up falling in love with a deep cut nobody remembers. That sounds like a pretty good night to me.

Thank you to NetGalley and Black Dog & Leventhal for an advanced reader’s copy. All opinions expressed in this review are my own.

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